Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Je me tiens seur de ce dont plus j'ai doubte, per sop. legg. e pf
Niccolò Castiglioni |
PART00830
full score |
3/1978 | |
Bella estate, La, 7 canzoni per coro misto
Niccolò Castiglioni |
PART00831
full score |
1995 | |
Le favole di Esopo, Oratorio
Niccolò Castiglioni |
PART00832
full score |
1979 | |
Harmonies, Les, per sop. leggero e orchestra
Niccolò Castiglioni |
PART00833
full score |
1994 | |
Liedlein, per coro di voci bianche e strumenti
Niccolò Castiglioni |
PART00834
|
1991 | |
Liedlein, Versione per coro femminile e piccola orchestra.
Niccolò Castiglioni |
PART00835
full score |
1993 | |
Märchen, Traum und Legende
Niccolò Castiglioni |
PART00836
full score |
1988 | |
Missa brevis, per coro a voci miste e strumenti
Niccolò Castiglioni |
PART00837
full score |
25/8/1993 | |
Missa brevis, Versione per coro e organo
Niccolò Castiglioni |
PART00838
arrangement/reduction |
25/8/1993 | |
Momenti musicali, per sette strumenti
Niccolò Castiglioni |
PART00839
full score |
1991 |