Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Così parlò l'Abarbanel, per soprano solo
Niccolò Castiglioni |
PART00810
full score |
1981 | |
Couplets
Niccolò Castiglioni |
PART00811
full score |
1979 | |
Cronaca del Ducato di Urbino
Niccolò Castiglioni |
PART00812
full score |
1991 | |
Daleth, sonatina per cl. e pf.
Niccolò Castiglioni |
PART00813
full score |
26/12/1979 | |
Das Ohr hört nachts Sonatenklänge, 4 Lieder per sop. e pf.
Niccolò Castiglioni |
PART00814
full score |
1983 | |
Dickinson Lieder
Niccolò Castiglioni |
PART00815
arrangement/reduction |
1977 | |
Dickinson Lieder
Niccolò Castiglioni |
PART00816
full score |
12/1977 | |
Doppio Coro , per 10 strum. a fiato
Niccolò Castiglioni |
PART00817
full score |
1977 | |
Dulce refrigerium
Niccolò Castiglioni |
PART00818
full score |
5/1984 | |
Entrée, Altisonanza
Niccolò Castiglioni |
PART00819
full score |
6/1992 |