Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Farfalle vaganti
Niccolò van Westerhout |
PART04296
full score |
||
Giga
Niccolò van Westerhout |
PART04298
full score |
29/7/1884 | |
Ma belle qui danse
Niccolò van Westerhout |
PART04299
full score |
1889 | |
Ma belle qui danse
Niccolò van Westerhout |
PART04300
full score |
3/1898 | |
Arietta antica
Niccolò van Westerhout , Remo Giazotto |
PART04302
full score |
||
Moto perpetuo, per vl. con acc. di pf.
Niccolò van Westerhout |
PART04303
full score |
27/8/1888 | |
Ore fosche, Tre comp. per pf.
Niccolò van Westerhout |
PART04304
full score |
||
Perché..., Strofe melanconiche
Niccolò van Westerhout |
PART04305
full score |
||
Petit rondeau
Niccolò van Westerhout |
PART04306
full score |
5/1897 | |
Preludio , dal tema “Quando corpus” de lo “Stabat” di G.B. Pergolesi
Niccolò van Westerhout |
PART04307
full score |
3/1890 |