Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Serenata, La
Niccolò van Westerhout |
PART04331
full score |
1883 | |
Serenata, La
Niccolò van Westerhout |
PART04332
full score |
8/1884 | |
Serenata
Niccolò van Westerhout |
PART04333
full score |
||
Aprile novo!, Melodia
Niccolò van Westerhout |
PART04334
full score |
1885 | |
Sola!..., Melodia
Niccolò van Westerhout |
PART04335
full score |
20/10/1885 | |
Sonata (di stile antico)
Niccolò van Westerhout |
PART04336
full score |
6/1884 | |
Spleen
Niccolò van Westerhout |
PART04337
full score |
9/1888 | |
Una croce!, Melodia
Niccolò van Westerhout |
PART04338
full score |
||
Due romanze , per vl. con acc. di pf.
Niccolò van Westerhout |
PART04339
full score |
20/11/1882 | |
Menuet et musette
Niccolò van Westerhout |
PART04340
full score |
1888 |