Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Aprile novo!, Melodia
Niccolò van Westerhout |
PART04334
full score |
1885 | |
Sonata (di stile antico)
Niccolò van Westerhout |
PART04336
full score |
6/1884 | |
Una croce!, Melodia
Niccolò van Westerhout |
PART04338
full score |
||
Ovunque tu, Melodia
Niccolò van Westerhout |
PART04344
full score |
1884 | |
Ditirambo
Niccolò van Westerhout |
PART04293
full score |
1895 | |
Egloga
Niccolò van Westerhout |
PART04294
full score |
7/1895 | |
Giga
Niccolò van Westerhout |
PART04298
full score |
29/7/1884 | |
Ma belle qui danse
Niccolò van Westerhout |
PART04300
full score |
3/1898 | |
Sonata
Niccolò van Westerhout |
PART04315
full score |
1888 | |
Momento Capriccioso
Niccolò van Westerhout |
PART00957
full score |
1883 |