Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Belfagor , Ouverture per orchestra
Ottorino Respighi |
PART03490
full score |
3/1924 | |
Belkis, regina di Saba , Azione mimo-coreografica
Ottorino Respighi |
PART03491
full score |
20/10/1931 | |
Deità silvane , Cinque liriche di Antonio Rubino per soprano e orchestra da camera
Ottorino Respighi |
PART03492
full score |
11/1925 | |
Feste romane , Poema sinfonico
Ottorino Respighi |
PART03493
full score |
10/1928 | |
Fontane di Roma , Poema sinfonico per orchestra
Ottorino Respighi |
PART03494
full score |
1916 | |
Maria Egiziaca, Mistero (Trittico per concerto)
Ottorino Respighi |
PART03495
full score |
30/7/1931 | |
Sèvres della vecchia Francia
Ottorino Respighi |
PART03496
full score |
3/1920 | |
Cinque liriche
Ottorino Respighi |
PART03497
full score |
||
Antiche danze ed arie per liuto, II Suite
Ottorino Respighi |
PART03499
arrangement/reduction |
11/1923 | |
Pentola magica, La, Azione coreografica in due quadri
Ottorino Respighi |
PART03503
full score |
7/8/1920 |