Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Amore e addio
Paolo Perezzani |
PART06055
full score |
||
Beau jour, Un, scena mus.in 1 atto per voce maschile, fg, v.cello
Paolo Perezzani |
PART06056
full score |
||
Concerto, per fl,archi e cembalo (1998)
Paolo Perezzani |
PART06057
full score |
1998 | |
Con slancio
Paolo Perezzani |
PART06058
full score |
||
D'incenso, catrame e lillà, per clarinetto basso
Paolo Perezzani |
PART06059
full score |
3/1992 | |
Hron
Paolo Perezzani |
PART06060
full score |
2/1987 | |
Imagine si ceci, per voce maschile, fg e vc, da "Mirlitonnades" di S. Beckett
Paolo Perezzani |
PART06061
full score |
9/1993 | |
Intimi voli, per contrabbasso
Paolo Perezzani |
PART06062
full score |
10/1986 | |
Machina symphonica
Paolo Perezzani |
PART06063
full score |
8/1995 | |
Ombra dell'angelo, L', per flauto o flauto in sol
Paolo Perezzani |
PART06064
full score |
5/1985 |