Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Come per una terra, azione scenico-musicale
Paolo Aralla |
PART04581
full score |
8/1995 | |
Entre: quaderno II, per clarinetto solo e doppio trio di fiati
Paolo Aralla |
PART04582
full score |
1992 | |
Es ist feuer, versione 1998
Paolo Aralla |
PART04584
full score |
1998 | |
For V.W., terzo quaderno
Paolo Aralla |
PART04587
full score |
20/1/1995 | |
Impromptu
Paolo Aralla |
PART04588
full score |
14/10/1993 | |
Impromptu N.3, per vl,vcello e pf.
Paolo Aralla |
PART04590
full score |
24/6/1998 | |
In riveder la luna, rapsodia per voce recit. e orch. (1998)
Paolo Aralla |
PART04591
full score |
1998 | |
Maree: quaderno primo, per 23 esecutori
Paolo Aralla |
PART04592
full score |
5/1999 | |
Movimento, monologo per fl.solo
Paolo Aralla |
PART04593
full score |
1996 | |
Studio sul blu, per percuss.conc.te,elettronica live, nastro e orch.
Paolo Aralla |
PART04596
full score |
1996 |