Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sguardo dal ponte, Uno
Renzo Rossellini |
PART03611
full score |
||
Sguardo dal ponte, Uno
Renzo Rossellini |
PART03612
arrangement/reduction |
||
Sera fiesolana, La, dal I quartetto, per orch. d’archi
Renzo Rossellini |
PART03613
full score |
||
Canto di palude
Renzo Rossellini |
PART03614
full score |
27/1/1937 | |
Canzone del ritorno
Renzo Rossellini |
PART03615
full score |
||
Canti di Rilke
Renzo Rossellini |
PART03616
full score |
19/7/1942 | |
Canzone di Fortunio, in la bem. magg.
Renzo Rossellini |
PART03617
full score |
||
Canzone di Cherubino, per il "Matrimonio di Figaro" di Beaumarchais
Renzo Rossellini |
PART03618
full score |
12/1945 | |
Roma cristiana, Rid. del II tempo (alleluja) per c. e pf.
Renzo Rossellini |
PART03619
arrangement/reduction |
||
Roma cristiana
Renzo Rossellini |
PART03620
full score |
10/1940 |