Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Giulietta e Romeo , (modifiche)
Riccardo Zandonai |
PART04525
|
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Commenti musicali all’Aiace di Sofocle , per grande orch. (5 pezzi)
Riccardo Zandonai |
PART04526
|
4/3/1936 | |
Ballata del Messimerit, La, riduzione per piccola orchestra
Riccardo Zandonai |
PART04527
|
28/11/1942 | |
Ballata del Messimerit, La
Riccardo Zandonai |
PART04528
|
9/11/1942 | |
Ballata del Messimerit, La
Riccardo Zandonai |
PART04529
|
||
Aria
Nicola Antonio Giacinto Porpora |
PART04530
|
||
3 Vocalizzi
Riccardo Zandonai |
PART04531
|
10/1928 | |
Farsa amorosa, La
Riccardo Zandonai |
PART04532
arrangement/reduction |
||
In sogno, melodia di Catalani
Alfredo Catalani |
PART04533
full score |
1938 | |
Per La gazza ladra, (di Rossini) - Canto aggiunto per il t.
Riccardo Zandonai |
PART04534
full score |