Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Conchita , Intermezzo
Riccardo Zandonai |
PART04498
full score |
||
Notte a Siviglia , impressione sinfonica per orch. e voce di t.
Riccardo Zandonai |
PART04499
|
||
Giulietta e Romeo, Danza del torchio e cavalcata
Riccardo Zandonai |
PART04503
full score |
11/1927 | |
Rapsodia trentina, per orchestra (bozza)
Riccardo Zandonai |
PART04512
|
1936 | |
Cavalieri di Ekebù, I, Varianti per la vers. con t.svedese
Riccardo Zandonai |
PART04517
|
||
Gazza ladra, La
Riccardo Zandonai |
PART04535
|
1/1942 | |
Gazza ladra, La
Riccardo Zandonai |
PART04536
|
21/8/1941 | |
Gazza ladra, La
Riccardo Zandonai |
PART04537
|