Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Merope
Giovanni Pacini |
PART02980
full score |
||
Ester d’ Engaddi
Achille Peri |
PART03123
full score |
||
IIde (et) IIIème fantaisie sur l’opera Lucia di Lammermoor , op. 383 n. 2, 3 (per pf. a 2 mani)
Carl Czerny |
PART01131
full score |
||
Trois fantaisies brillantes sur les motifs de l’opera Robert Devereux de Donizetti, composées pour le pf. seul et à 4 mains, op. 534 n. 1, 2, 3
Carl Czerny |
PART01136
full score |
||
II Grande fantaisie, pour piano seul ou à 4 mains sur le motifs de Cristina di Svezia de Nini, op. 621, n. 2
Carl Czerny |
PART01140
full score |
||
Fantasia II e III su motivi dell’opera La Vestale di Mercadante, per pf. solo e a 4 mani, op. 614 n. 2 e n. 3
Carl Czerny |
PART01142
full score |
||
Non c’è fumo senza fuoco
Luigi Cammarano |
PART00708
full score |
||
Eleonora Dori
Vincenzo Battista |
PART00212
full score |
4/2/1847 | |
Fantaisie dramatique sur l’air final de l’opera “Lucie de Lammermoor”, op. 10, pour violon avec orchestre ou piano (rid. per vl. e pf.)
Antonio Bazzini |
PART00232
full score |
||
Introduzione e variazioni brillanti , per pf. e vl. Sopra un tema nella “Lucia di Lammermoor”1.
Ernesto Camillo Sivori , Giocondo Degola |
PART01313
parts |
22/6/1844 |