Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Elisa e Claudio
Saverio Mercadante |
PART02716
full score |
1821 | |
Campo dei crociati, Il
Saverio Mercadante |
PART02719
full score |
||
Leonora
Saverio Mercadante |
PART02721
full score |
||
Orazi e Curiazi
Saverio Mercadante |
PART02722
full score |
||
Solitaria delle Asturie, La
Saverio Mercadante |
PART02723
full score |
3/1840 | |
Vascello di Gama, Il
Saverio Mercadante |
PART02724
full score |
||
Mottetto a tenore e coro
Saverio Mercadante |
PART02726
full score |
||
Medea
Saverio Mercadante |
PART02727
full score |
||
A Rossini, Sinfonia a grand’orchestra
Saverio Mercadante |
PART02728
full score |
7/1864 | |
Omaggio a Bellini, Fantasia a grand’orchestra
Saverio Mercadante |
PART02729
full score |