Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Apelle e Campaspe
Nicola Antonio Zingarelli |
PART04549
full score |
||
Edipo a Colono
Nicola Antonio Zingarelli |
PART04552
full score |
1803 | |
Mitridate
Nicola Antonio Zingarelli |
PART04555
full score |
||
Morte di Semiramide, La
Sebastiano Nasolini |
PART02877
full score |
1798 | |
Gavotta , (dall’opera “Edipo a Colono”)di A. Sacchini, trascr. liberamente per pf.
Giuseppe Martucci |
PART02580
full score |
12/1898 | |
Annibale in Capua
Giacomo Cordella |
PART01033
full score |