Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adagio fur glasorchester, per piccola orchestra
Stefano Gervasoni |
PART05450
full score |
6/1992 | |
AN, per flauto contralto, clarinetto e trio d'archi, con la complicità di Schubert
Stefano Gervasoni |
PART05451
full score |
12/1989 | |
Animato, per otto strumenti
Stefano Gervasoni |
PART05453
full score |
24/8/1992 | |
Atemseile, per trio d'archi principale e 3 trii in eco
Stefano Gervasoni |
PART05454
full score |
1997 | |
Bleu jasqu'au blanc, per 6 percussionisti (parte 1ª)
Stefano Gervasoni |
PART05455
full score |
18/11/1995 | |
Concertino, per cb e strum.
Stefano Gervasoni |
PART05456
|
6/1990 | |
Concertino, per voce e fischietti
Stefano Gervasoni |
PART05457
full score |
||
Concerto pour alto
Stefano Gervasoni |
PART05458
full score |
8/4/1994 | |
Dal belvedere di non ritorno, per ensemble
Stefano Gervasoni |
PART05460
full score |
26/11/1993 | |
DESCDESESASF, trio-rito per vl,vla,vcello
Stefano Gervasoni |
PART05461
full score |
31/3/1995 |