Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Equale
Stefano Gervasoni |
PART05463
full score |
4/1988 | |
In eile zogernd III, (Das Wechseln und das Werden) per orchestra
Stefano Gervasoni |
PART05465
full score |
||
Ingenuo, L', per voce e corno
Stefano Gervasoni |
PART05466
full score |
24/2/1993 | |
Least bee , 1ªversione. 5 poesie di Emily Dickinson per voce e piccolo ensemble
Stefano Gervasoni |
PART05467
full score |
9/1991 | |
Lilolela, vagabonderia severa per ventitré musicisti
Stefano Gervasoni |
PART05469
full score |
10/11/1994 | |
Macchina del baccano sentito, per ensemble di percussioni
Stefano Gervasoni |
PART05470
full score |
28/4/1991 | |
Parola, per 16 strumenti
Stefano Gervasoni |
PART05471
full score |
1996 | |
Terzo paesaggio senza peso, Trittico grave
Stefano Gervasoni |
PART05472
full score |
||
Pas si, teatrino ambulante per 2 attori e 1 fisarmonicista
Stefano Gervasoni |
PART05474
full score |
8/3/1999 | |
2 Poesie francesi di Beckett
Stefano Gervasoni |
PART05475
full score |
13/12/1995 |