Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
2 Poesie francesi di Rilke
Stefano Gervasoni |
PART05476
full score |
1/9/1995 | |
2 Poesie francesi di Rilke, 2ª e definitiva stesura ('95/'96)
Stefano Gervasoni |
PART05477
full score |
2/1996 | |
2 Poesie francesi d'Ungaretti, per voce,fl,cl,pf,vn,vcello
Stefano Gervasoni |
PART05478
full score |
24/7/1994 | |
Su un arco di bianco
Stefano Gervasoni |
PART05483
full score |
1991 | |
Tornasole, Trittico grave
Stefano Gervasoni |
PART05484
parts |
6/12/1993 | |
Vigilia, Trittico grave
Stefano Gervasoni |
PART05485
full score |
12/1988 | |
2 Voci, per flauto e violino
Stefano Gervasoni |
PART05486
full score |
1991 | |
4 Voci, per s.,fl,cl e pianoforte
Stefano Gervasoni |
PART05487
full score |
1988 | |
Um sonho, Baiao-chòro
Mateus Nunes , Stefano Gervasoni |
PART07697
parts |
||
Sensibile per orchestra, per orchestra
Stefano Gervasoni |
PART01976
full score |
4/1989 |