Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Abitator del bosco, L’
Stefano Pavesi |
PART03062
full score |
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Amor vero e amor interessato
Stefano Pavesi |
PART03064
full score |
||
Cherusci, I
Stefano Pavesi |
PART03065
full score |
||
Donna bianca, La
Stefano Pavesi |
PART03066
full score |
||
Fenella, o la Muta di Portici
Stefano Pavesi |
PART03067
full score |
||
Nitteti
Stefano Pavesi |
PART03068
full score |
||
Servo padrone, Il
Stefano Pavesi |
PART03069
full score |
||
Festa della rosa, La
Stefano Pavesi |
PART03070
full score |
||
Fingallo e Comala
Stefano Pavesi |
PART03071
full score |
||
Gloria, La
Stefano Pavesi |
PART03072
full score |