Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Canto elegiaco , per coro maschile
Vittore Veneziani |
PART04357
full score |
||
Coro dei cori, Il
Vittore Veneziani |
PART04358
full score |
30/6/1931 | |
Lamento, Da: 3 cori a voci d’uomini
Vittore Veneziani |
PART04359
full score |
||
Al silenzio, Da: 3 Cori a voci d’uomini
Vittore Veneziani |
PART04360
full score |
||
Marfisa, Poema corale a voci d’uomini in 2 parti
Vittore Veneziani |
PART04361
full score |
18/2/1927 | |
Marfisa, Poema corale a voci d’uomini in 2 parti
Vittore Veneziani |
PART04362
full score |
25/6/1926 | |
Canti della terra d'Abruzzo
Ettore Montanaro |
PART02756
full score |
7/1929 | |
Canti di Sardegna, Rid. per coro a voci miste da V. Veneziani
Giulio Mario Fara |
PART01794
arrangement/reduction |
17/6/1925 | |
Canti della terra e del mare di Sicilia, Rid. per coro a voci miste da V. Veneziani
Alberto Favara |
PART01804
arrangement/reduction |