Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sogni di Blimunda, I, suite per ottetto vocale dall'opera omonima
Azio Corghi |
PART05003
full score |
1992 | |
Aretusa, per oboe, corno, archi e percussioni
Matteo D'Amico |
PART05020
|
||
Grave, per cl,c.basso,v.cello
Matteo D'Amico |
PART05034
full score |
||
Memoires '93
Matteo D'Amico |
PART05043
full score |
||
Ploc, omaggio a Ravel
Matteo D'Amico |
PART05051
full score |
1998 | |
Quis dabit capiti meo acquam, mottetto per quattro sassofoni
Matteo D'Amico |
PART05053
full score and parts |
||
Prestop II, trombone et électronique
Vinko Globokar |
PART05076
full score |
18/6/1991 | |
Cadenza obliqua
Filippo Del Corno |
PART05084
full score |
||
Going message air, per flauto
Marco Di Bari |
PART05109
full score |
||
Memorie
Marco Di Bari |
PART05114
full score |
1991 |