Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pianobach II, per pianoforte
Matteo D'Amico |
PART05050
full score |
2002 | |
Ploc, omaggio a Ravel
Matteo D'Amico |
PART05051
full score |
1998 | |
Stabat Mater, Cantata sacra e profana per soprano, mezzosoprano, voce recitante archi e percussione
Matteo D'Amico |
PART05066
full score |
1999 | |
Veianio, cantata da camera per voce rec.,soprano, baritono e strumenti
Matteo D'Amico |
PART05070
full score |
2001 | |
19.XI.1871 , Verdi versus Wagner. per voce recit. e orch.
Matteo D'Amico |
PART05071
full score |
2000 | |
Wooden wood II, per ensemble di percussioni
Matteo D'Amico |
PART05073
full score |
2001 | |
Populorum Progressio, Cantata drammatica su testi dell'Enciclica di Paolo VII, per voce rec,soli, coro e gruppo strum.
Roberto De Simone |
PART05080
full score |
1997 | |
Ascolta
Filippo Del Corno |
PART05081
full score |
||
Cadenza, per clarinetto in Sib
Filippo Del Corno |
PART05083
full score |
||
Cadenza obliqua
Filippo Del Corno |
PART05084
full score |