Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mironton Mirontaine, fantasia per pf a 4 mani su temi popolari francesi
Matteo D'Amico |
PART05044
|
||
Peter-Peter Pan, fantasia notturna per flauto e picc.orch.
Matteo D'Amico |
PART05048
full score |
2000 | |
Pianobach, per 2 pianoforti
Matteo D'Amico |
PART05049
full score |
2000 | |
Pianobach II, per pianoforte
Matteo D'Amico |
PART05050
full score |
2002 | |
Ploc, omaggio a Ravel
Matteo D'Amico |
PART05051
full score |
1998 | |
Quis dabit capiti meo acquam, mottetto per quattro sassofoni
Matteo D'Amico |
PART05053
full score and parts |
||
Realtà, La, per voce recit.,gruppo strum.
Matteo D'Amico |
PART05054
full score and parts |
||
Rime d'amore, per ms, coro femm, orch.
Matteo D'Amico |
PART05057
|
1998 | |
Stabat Mater, Cantata sacra e profana per soprano, mezzosoprano, voce recitante archi e percussione
Matteo D'Amico |
PART05066
full score |
1999 | |
Veianio, cantata da camera per voce rec.,soprano, baritono e strumenti
Matteo D'Amico |
PART05070
full score |
2001 |