Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Altre schegge di canto, per clarinetto e orch.
Salvatore Sciarrino |
PART06249
full score |
2002 | |
In nomine nominis, alcune autosomiglianze per 8 esecutori
Salvatore Sciarrino |
PART06265
full score |
2001 | |
Morte tamburo, per flauto e acustica asciutta
Salvatore Sciarrino |
PART06270
full score |
1999 | |
Orologio di Bergson, L', per flauto
Salvatore Sciarrino |
PART06272
full score |
1999 | |
Immagine di Arpocrate, Un', per pf. e orch. con coro.
Salvatore Sciarrino |
PART03832
full score |
7/1974 | |
Silenzio degli oracoli, Il
Salvatore Sciarrino |
PART03867
full score |
||
Vanitas, natura morta in un atto
Salvatore Sciarrino |
PART03881
full score |
1981 |