Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Temps et l'écume, Le
Gérard Grisey |
PART06685
|
1989 | |
Vortex temporum, pour 6 instruments
Gérard Grisey |
PART06686
|
1995 | |
Vortex temporum, (3ª parte) pour piano et 5 instruments
Gérard Grisey |
PART06687
|
1996 | |
With dadaji in paradise, for violoncello solo
Tod Machover |
PART06712
full score |
1978 | |
Mariana Pineda, romance popular en tres estampas de F.G.Lorca
Louis Saguer |
PART06775
full score |
||
Concerto per fagotto e orchestra
Michal Spisak |
PART06776
full score |
1944 | |
Fogli d'album
Sylvano Bussotti |
PART06994
full score |
1/9/1984 | |
Andante sostenuto, per orchestra da camera
Francesco Pennisi |
PART06995
full score |
30/4/1977 | |
Arrivo dell'unicorno, L', poemetto per arpa e 24 strumenti
Francesco Pennisi |
PART06996
full score |
12/1984 | |
Ombra di Banquo, L', Opera in un atto
Paolo Renosto |
PART07000
|