Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Passion selon Sade, La
Sylvano Bussotti |
PART00642
full score |
1966 | |
Lorenzaccio /RARA REQUIEM
Sylvano Bussotti |
PART00657
full score |
1972 | |
Per ventiquattro voci adulte o bianche
Sylvano Bussotti |
PART01265
full score |
1967 | |
Icone Paradoxale, L', hommage à Piero della Francesca
Gérard Grisey |
PART01267
|
1994 | |
Derives
Gérard Grisey |
PART01269
|
1974 | |
Due voci, per soprano, martenot, solo ed orchestra
Sylvano Bussotti |
PART00573
full score |
11/12/1958 | |
Bal Mirò, Le, Antologie per orchestra
Sylvano Bussotti |
PART00574
|
1981 | |
Syro Sadun Settimino
Sylvano Bussotti |
PART00576
|
9/9/1973 |