Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Nonsense, da Gli studietti di Betty Boop
Ada Gentile |
PART05368
full score |
3/1993 | |
Concertino, per cb e strum.
Stefano Gervasoni |
PART05456
|
6/1990 | |
Concertino, per voce e fischietti
Stefano Gervasoni |
PART05457
full score |
||
Te souviens-tu?, Temps de valse
Francesco Paolo Tosti |
PART04221
full score |
9/1890 | |
Tell me to stay, Con te! - Melodia
Francesco Paolo Tosti |
PART04222
|
||
Ti rivedrò, Abandon
Francesco Paolo Tosti |
PART04227
|
||
Ultima canzone, L'
Francesco Paolo Tosti |
PART04235
|
||
Gran metodo teorico-pratico progressivo, per cornetta a cilindri e congeneri
Domenico Gatti |
PART07436
didactic method |
||
Valzer, Revisione di Felice Fugazza
Guido Farina |
PART07437
full score |
||
Sull'Aia e Madrilena, per 2 e 3 chitarre
Luigi Oreste Anzaghi |
PART07486
full score and parts |