Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Atlántida
Manuel de Falla |
PART05180
full score |
||
Aria novella, per doppio quartetto
Luca Francesconi |
PART05289
full score |
2001 | |
Conchita , Intermezzo
Riccardo Zandonai |
PART04498
full score |
||
Giulietta e Romeo, Danza del torchio e cavalcata
Riccardo Zandonai |
PART04503
full score |
11/1927 | |
Nonsense, da Gli studietti di Betty Boop
Ada Gentile |
PART05368
full score |
3/1993 | |
Concertino, per voce e fischietti
Stefano Gervasoni |
PART05457
full score |
||
Te souviens-tu?, Temps de valse
Francesco Paolo Tosti |
PART04221
full score |
9/1890 | |
Valzer, Revisione di Felice Fugazza
Guido Farina |
PART07437
full score |
||
Inno dei Figli della Lupa
Nazareno Padellaro |
PART07498
full score |
||
Serenata a 4 voci, Primavera - Estate - Autunno - Inverno
Alessandro Scarlatti |
PART07509
full score |
1962 |