Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mascherata veneziana, Suite dal balletto su temi di B. Galuppi
Matteo D'Amico |
PART05041
full score |
1998 | |
Memoires '93
Matteo D'Amico |
PART05043
full score |
||
Moto perpetuo, per orch.d'archi
Matteo D'Amico |
PART05046
full score |
8/4/1991 | |
Mysterium
Matteo D'Amico |
PART05047
full score |
||
Sanctus, per soprano, mezzosoprano, tenore, basso e orchestra. Testo di Vincenzo Consolo
Matteo D'Amico |
PART05059
full score |
||
5 Variazioni su un tema di Mozart, dall'aria "Porgi amor qualche ristoro"
Matteo D'Amico |
PART05069
full score |
1991 | |
Wooden wood, stesura provvisoria
Matteo D'Amico |
PART05072
full score |
||
Scene di vento
Salvatore Sciarrino |
PART05077
full score |
||
Concerto, per fagotto, violoncello e orchestra
Edison Denisov |
PART05092
full score |
8/8/1982 | |
Ecume des jours, L'
Edison Denisov |
PART05093
full score |
12/6/1981 |