Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Fantasie della lontananza, per s. e pf
Alessandro Sbordoni |
PART06219
full score |
14/1/1992 | |
Eine deutsche symphonie, symphonie n.5
Gil Shohat |
PART06311
full score |
2/2001 | |
Deux poemes, pour soprano et 5 instruments
Petros Korelis |
PART06692
full score |
||
Homme armé, L', 8 voci
Thierry Pécou |
PART06735
|
1996 | |
Tombeau de M.A.Charpentier,Le, pour 3 choeurs à voix égales, voix mistes, orgue baroque, basse de viole, cloches et positifs
Thierry Pécou |
PART06743
full score |
5/1995 | |
Cantata del sabato sera, (rapsodia minima per coro a voci virili)
Walter Tettamanti |
PART07142
|
||
Integrale Sade, tredici trame I. extraits de concert. Poema di Enzo F. Carabba (da un'idea di Rocco)
Sylvano Bussotti |
PART00654
full score |
||
E l'uccellino, ninna-nanna per canto e pianoforte con l'aggiunta di Flauto, Clarinetto e Viola
Giacomo Puccini |
PART00655
|
11/7/1981 | |
A sera
Michele Eulambio |
PART01759
|
||
Candide vele
Michele Eulambio |
PART01760
|