Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Mascherata veneziana
Matteo D'Amico |
PART05042
arrangement/reduction |
||
Salve Regina, per tenore e orch.
Gaetano Donizetti |
PART05136
full score |
||
Nottetempo
Sylvano Bussotti |
PART05172
|
||
Concerto, per pf. e orch.
Lorenzo Ferrero |
PART05208
arrangement/reduction |
1990 | |
Figlia del mago, La
Lorenzo Ferrero |
PART05214
arrangement/reduction |
||
Salvatore Giuliano
Lorenzo Ferrero |
PART05274
arrangement/reduction |
||
Partita, Una, con correzioni autografe di R. Zandonai
Riccardo Zandonai |
PART04485
full score |
||
Giulietta e Romeo , Tragedia in tre atti
Riccardo Zandonai |
PART04540
arrangement/reduction |
9/11/1921 | |
Lords' masque, The
Niccolò Castiglioni |
PART04899
arrangement/reduction |
||
Alcassino e Nicoletta
Bruno Cerchio |
PART04911
arrangement/reduction |