Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
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Concerto per violino in Mi b magg.
Antonio Vivaldi |
PART07423
arrangement/reduction |
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Concerto in Si bem Magg., per pianoforte e archi Op. XV n. 1
Giovanni Giuseppe Cambini |
PART07304
arrangement/reduction |
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Concerto in Fa Maggiore, per clavicembalo e orchestra da camera
Giovanni Paisiello |
PART07305
arrangement/reduction |
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Si vuol sapere chi sono, Aria e Scena di Dori
Giovanni Paisiello |
PART07333
arrangement/reduction |
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Crucifixus, dalla "Piccola Messa Solenne"
Gioachino Antonio Rossini |
PART07335
arrangement/reduction |
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"Monologo del Tempo", dalla Rappresentazione di Anima e Corpo
Emilio Del Cavaliere |
PART07338
arrangement/reduction |
||
"Quoniam tu solus sanctus", dal "Gloria" della Messa in fa M. a dieci voci
Giovanni Battista Pergolesi |
PART07339
arrangement/reduction |
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Passione di N. S. Gesù Cristo, La, secondo S. Giovanni (Johannes Passion)
Johann Sebastian Bach |
PART07599
arrangement/reduction |