Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Canto a las madres de los milicianos muertos, Riduzione per voci e pianoforte
Flavio Testi |
PART03972
arrangement/reduction |
||
Albergo dei poveri, L'
Flavio Testi |
PART03981
arrangement/reduction |
||
Celestina, La, Opera in 3 atti
Flavio Testi |
PART03983
arrangement/reduction |
||
Stabat Mater
Flavio Testi |
PART03986
arrangement/reduction |
1957 | |
New York, oficina y denuncia, per coro e orch.
Flavio Testi |
PART03987
arrangement/reduction |
||
Partita a pugni, Dramma da concerto in un'Introduzione e tre "rounds"
Vieri Tosatti |
PART04029
arrangement/reduction |
21/11/1954 | |
Partita a pugni
Vieri Tosatti |
PART04030
arrangement/reduction |
||
Clap, per clarinetto e pf.
Paolo Castaldi |
PART04883
arrangement/reduction |
1980 | |
Clap II, per sax tenore o sopr.in Sib e orch., vers.per sax e pf.
Paolo Castaldi |
PART04884
arrangement/reduction |
||
Lords' masque, The
Niccolò Castiglioni |
PART04899
arrangement/reduction |