Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto, per pf. e orch.
Lorenzo Ferrero |
PART05208
arrangement/reduction |
1990 | |
Figlia del mago, La
Lorenzo Ferrero |
PART05214
arrangement/reduction |
||
Introito
Lorenzo Ferrero |
PART05227
arrangement/reduction |
1992 | |
Maschere, Dalle musiche di scena per le Massere di Carlo Goldoni
Lorenzo Ferrero |
PART05231
arrangement/reduction |
1993 | |
Nascita di Orfeo
Lorenzo Ferrero |
PART05249
arrangement/reduction |
||
Salvatore Giuliano
Lorenzo Ferrero |
PART05274
arrangement/reduction |
||
Unreported Inbound Palermo, dramma musicale in tre scene su testo di Daniele Del Giudice, per soprano, mezzosoprano, baritono, tre voci recitanti, coro da camera, strumenti e elaborazione elettronica. Versione Bologna
Alessandro Melchiorre |
PART05852
arrangement/reduction |
1998 | |
6 Liriche, per soprano e orch.
Girolamo Arrigo |
PART04614
arrangement/reduction |
||
Poi andrò in America
Lorenzo Ferrero |
PART06926
arrangement/reduction |