Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Giulietta e Romeo , Tragedia in tre atti
Riccardo Zandonai |
PART04540
arrangement/reduction |
9/11/1921 | |
New York, oficina y denuncia, per coro e orch.
Flavio Testi |
PART03987
arrangement/reduction |
||
Stabat mater
Giuseppe Verdi |
PART00053
arrangement/reduction |
1897 | |
Te Deum
Giuseppe Verdi |
PART00054
arrangement/reduction |
1895 | |
Turandot , Finale Atto III
Franco Alfano |
PART00072
arrangement/reduction |
1925 | |
Notte di Zoraima, La
Italo Montemezzi |
PART02782
arrangement/reduction |
||
Belfagor
Ottorino Respighi |
PART03498
arrangement/reduction |
1922 | |
Danza di Dâssîne, La, balletto
Renzo Rossellini |
PART03607
arrangement/reduction |
||
Morte a Venezia, Studi sullo spessore lineare
Salvatore Sciarrino |
PART03842
arrangement/reduction |
||
Ghirlino
Luigi Ferrari Trecate |
PART01826
arrangement/reduction |
9/1939 |