Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Deh non giurare
Mario Pasquale Costa |
PART01060
full score |
||
Ever, alas!..., Creder non posso
Mario Pasquale Costa |
PART01067
full score |
||
Nanni!!! , Canzone popolare
Mario Pasquale Costa |
PART01086
full score |
1/1886 | |
Canzone di Mignon, Melodia
Mario Pasquale Costa |
PART01118
full score |
||
Figlio alla madre severa, Il
Carlo Dall'Argine |
PART01152
full score |
1933 | |
Savoyarden-Lieder, Romanze Savojarde
Friedrich Adolf Ferdinand von Flotow |
PART01855
full score |
27/1/1875 | |
Cristoforo Colombo
Carlo Andrea Gambini |
PART01927
full score |
||
Pene di Amore, Le, III anacreontica, trad. del cav. A. Maffei musicata per t. o s. in chiave di sol e piano
Antonio Bazzini |
PART00239
full score |
||
Luce ideale, Melodia
Luigi Denza |
PART01320
full score |
||
Sempre te!..., Melodia
Luigi Denza |
PART01338
full score |