Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ariele
Alberto Leoni |
PART02225
full score |
||
Cristina di Svezia
Alessandro Nini |
PART02898
full score |
||
Odalisa
Alessandro Nini |
PART02902
full score |
||
Ebrea, L'
Giovanni Pacini |
PART02979
full score |
1844 | |
Corrado d’Altamura
Federico Ricci |
PART03521
full score |
||
Vallombra
Federico Ricci |
PART03523
full score |
12/1842 | |
Galeotto Manfredi
Natale Perelli |
PART03117
full score |
||
Clarissa Harlowe
Natale Perelli |
PART03119
full score |
4/1/1858 | |
Burgravi, I
Matteo Salvi |
PART03740
full score |
3/1845 | |
II Grande fantaisie, pour piano seul ou à 4 mains sur le motifs de Cristina di Svezia de Nini, op. 621, n. 2
Carl Czerny |
PART01140
full score |