Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Acrobata, per quartetto vocale
Matteo D'Amico |
PART05016
full score |
1997 | |
Amin, dramma per musica in 1 atto
Matteo D'Amico |
PART05017
full score |
||
Angelus novus, cantata scenica in 7 quadri, per 2 s., voce recitante e piccola orch.
Matteo D'Amico |
PART05018
full score |
1992 | |
Attende Domine, per s. e archi
Matteo D'Amico |
PART05021
full score |
||
Baccanti, Le, 6 quadri coreografici
Matteo D'Amico |
PART05022
full score |
1997 | |
Cambio, Il, opera da camera in 1 atto
Matteo D'Amico |
PART05024
full score |
1998 | |
Dal filo di Arianna, per pf. e 11 esecutori
Matteo D'Amico |
PART05025
full score |
1986 | |
Divertimento II, per 7 (o 5) struemnti a fiato
Matteo D'Amico |
PART05026
full score |
||
E di me ricordati
Matteo D'Amico |
PART05027
full score |
||
Farinelli la voce perduta
Matteo D'Amico |
PART05029
full score |