Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Fanfara e introduzione all’Inno nazionale
Nicola Vaccaj |
PART04271
full score |
1838 | |
Giovanna d’Arco
Nicola Vaccaj |
PART04272
full score |
1827 | |
Giulietta e Romeo
Nicola Vaccaj |
PART04273
full score |
||
Precipizio, Il , ossia Le fucine di Norvegia
Nicola Vaccaj |
PART04274
full score |
1826 | |
Saul
Nicola Vaccaj |
PART04275
full score |
||
Virginia
Nicola Vaccaj |
PART04276
full score |
1844 | |
Orfanella, L', Melodia
Nicola Vaccaj |
PART04278
full score |
||
Pensiero,Il , Melodia
Nicola Vaccaj |
PART04279
full score |
||
Pianto alla tomba di Elisa , Melodia
Nicola Vaccaj |
PART04280
full score |
||
Monaca, La, Melodia
Nicola Vaccaj |
PART04281
full score |