In 1842, Giovanni Ricordi launched the first Italian magazine about music, the Gazzetta Musicale di Milano (The Gazette of the Music of Milan). This is probably a first example of the influence of his son, Tito I, who considered this magazine also as a way to promote the copyright of musical works acquired by Casa Ricordi (Ricordi Music Publishing House).
The Gazzetta was a newsletter that didn’t deal only with publication copyright, but also with the cultural life of Milan, featuring reviews of performances, and was a means for discussing questions of the aesthetics of music. The magazine – based on French and German models – was the first of its kind in Italy. Once a month, a work of music was attached to it. At the end of the year, these twelve compositions were gathered in an anthology, the Antologia classica musicale (A Classic Anthology of Music).
The “Five Days of Milan” – the revolt in March 1848 during Italy’s Risorgimento* – set the stage for the first interruption of the magazine’s publication. It started up, again, shortly thereafter, first under a heavily politicized title, Gazzetta Musicale di Milano ed Eco delle notizie politiche (The Gazette of the Music of Milan and Echo of Political News), and by July once again under the purely music-related title.
(*Translator’s note: The eventually successful bid for independence on the Italian peninsula and the creation of the modern Italian state in the 19th century is called the Risorgimento, “the resurgence.”)