In 1847, even the Milanese editor Francesco Lucca created his own periodical, L’Italia Musicale – Giornale Artistico-Letterario, in which he intended to include other arts alongside music, ‘Tying together all the arts, here, under one of the most free and fortunate of flags, again, is perhaps not without significance, and can be conducive to respect and mutual love.’ Lucca, too, like his rival Ricordi and his Gazzetta Musicale di Milano, would find the publication suspended in 1849, since in 1848 it had essentially become political with the title Italia Libera. It started up again in 1850 with a program in which the editor undertook ‘to procure an abundance and variety of material’ and ‘in an appendix to review everything that will be published in the fields of literature, the fine arts and industry.’ The publications would continue until 1859 without, however, proposing the variety of music and colored illustrations as had been done in the editions of 1847-48, for example, the images of the debut of I Masnadieri of Verdi, given free-of-charge to the readers.