16.XI.1914

Dearest Illica,

                Castellarquato

   First of all, my apologies for the long silence — and I need say nothing more.

   I've had no news of Riccardo Sonzogno for months — he's disappeared!! So there's no truth in what you've heard regarding contacts, whether direct or indirect, that were made over the noted affair. Given the enormous hope invested in Madame Sans-Gêne, I would logically suspect that — at least for now — via Pasquirolo will go it alone. Then too, dear Illica, as long as the war lasts and even after, I have no desire to bind Casa Ricordi to another Casa, since these are difficult times and Lord only knows what will happen if this waste of human life and of money and energy goes on for a while. In any case I would do nothing without first seeking your advice and intervention.

   Regarding Judith, I know that Gnecchi has been working — and perhaps you'll be able to hear the complete first act fairly soon — we'll do so together, and then we'll see, based on that impression, if he can take on the second as it stands now, in the new version you have described. I am always available to listen, as long as you let me know a few days ahead of time. We can resolve the staging issue once we've read through the act — I don't think it should be anything of great concern.

   La Fragola has a certain flair as a composer — but he's neuropathic, hysterical — such that his music can jangle my nerves and make them tingle with pain after just a few bars. However, I repeat, he's not without talent.

   As for Franchetti, you have my sincere thanks, but I no longer want him with Casa Ricordi, not even if he were to bring me all the millions of his mother!! He's gone and is doing just fine where he is now

   Farewell until we meet again soon for the second act of Judith — and believe me always, notwithstanding the long silences,

yours fondly

Tito Ricordi